Old School Fantasy Cottage with Extension

I have spent the last two evenings working on the paintjob of this lovely Fantasy Cottage. It is, of course, based on the Phil Lewis' classic cottage from WD 130 which I built earlier on this year. To create a bit of variation, I added a second room as an extension on the left hand side and this was built very simply using exactly the same methods as the rest of the house. In hindsight, I feel that the sloping roof on this extension may not be pronounced enough but no matter, as its now complete and ready for the tabletop. 

As you will probably see, I changed the mix for the colour of the roofing tiles, switching from Ultramarine Blue to Enchanted Blue and this resulted in a far more fantastical (my son as Disney) colour. Again, in hindsight I am not sure if I am totally pleased with the effect and may well try out a third blue next time I build a cottage (I have one more that needs completing) but I shall wait a see how I feel after a  few games with it on the table. 

I also varied the colour of the brickwork on the chimney flue and I am a lot more satisfied with this. The colour is warmer and much more brick like. Inks were mixed in different combinations and amounts to help weather the stone. Flicking painting in different hues over the brick work also helped to age the building somewhat so it fits suitably into the fantasy world of old school Warhammer.

The walls themselves were very easy to achieve. I painted the boards with a Bleached Bone/Flesh mix and undercoated the wooden beams with Flat Earth, from the Flames of War range - as its very similar to the old Snakebite Leather colour of old. The wood was then washed with brown ink and drybrushed back over with flesh and Bleached Bone once again. Green and yellow inks were then employed to weather the wood and pannelling in places. Finally, I worked up the walls with white until they looked suitably bright enough. The whole wall section was then aged with ink blobbing and paint flicking. 

You have probably noticed by now that the roof has been treated a similar way with inks and flicking. Only here, I used black and white paint to suggest age and the droppings of all those fantasy birds! 

I made the windows a little warmer in tone. I used Ultramarine Blue as a base before washing over with blue ink followed by green ink. When I dig out a bit of gloss, I intend to paint of the surfaces of the windows to make them shine light glass. The final touch was to add a little chimney pot, made from cutting off a section of the plastic tube that protects new paint brushes. 

And here is the finished job alongside my original model for comparison. Critical comments please as I am keen to apply everything I have learnt to the final building I am going to use to represent the little crossroad hamlet on my battlefield.

Also, if you happen to know of any links where I can find odds and ends to decorate the bases I would also be very grateful - you know the stuff I mean: boxes, barrels, tools, animals etc.

Orlygg

A Dark Deranged Structure: Old School Fantasy Cottage Tutorial: Construction

My original cottage. Built and painted using advice from Phil Lewis and Dave Andrews from an ancient WD article. I have since repainted the stone work though, as I wasn't happy with the brick colour.

A couple of weeks ago I posted a little article about the cottage I made inspired by the old Modelling Workshop articles that Phil Lewis was involved in. After reading his account, I found myself flicking back through the White Dwarf archive and pulling out the old issues that contained his work. He didn't do it alone though, for much of the work was done by Dave Andrews. Together, they produced fantastic articles for the cottage, a two story townhouse, walls and hedges, a larger town house, mines and shacks and a ruined temple. Later on, there were some other articles by other people, though these were not up to the same standard as Phil's and Dave's work, but they are okay. 

Anyway, I had lots of requests to explain how I built the old school cottage and I promised several people a full article explaining it all some time ago. Well, as its Realm of Chaos 80s's birthday week, I thought it appropriate to write up the article in full and share it with you. Its proved to be a bit more of a task than I expected, so I have had to split the article into two posts. The first will deal with the construction of the model and the second will deal with how I went about painting the piece. 

First up, here is the original article from White Dwarf 130. Looking back, this article is one of the most memorable pieces that I can recall, along with the WFRP stuff. As I have said before, I had a brilliant time building my own boyhood version of this (and I really enjoyed the latest effort too). 

Modelling Workshop Cottage by orlygg

The original article is pretty clear about what you need to work with. Foamboard. Now, this stuff really is easy to work and is really simple to get hold of, either online or at an arts and crafts shop, such as Hobbycraft here in the UK. You could also use thick plasticard, though this is much harder to cut. I chose foamboard as I had loads of sheets of it lying around unused in the house. 

Anyway, I just printed off the scheme from the article, enlarged it and then stuck it onto the foamboard as the article suggests. Using the wife's pins, it was fairly simple to create the the outline and slice the sections out using a sharp blade. Once this has been done, I stuck the foamboard together with Copydex. Now, I don't know if you have heard of Copydex before but in my opinion it is the best stuff out there for sticking card or paper. It sets as a sort of rubbery layer and dries rather quickly so you're not sitting around for hours waiting for the stuff to dry. Its fairly easy to remove too, if things go wrong, with the glue just peeling away like thin sheets of rubber from the card surface. You get quite a bit of movement too, which is essential in model making, ensuring that you can slide the pieces exactly where you want them to be with ease.

Once it was fairly dry, I stuck the model to a plasticard rectangular base and added the roof sections. These need to be thin, so use cardboard. The stuff you get from packets of cereal are best. Be careful though, as some cardboards can warp when wet so go easy on the glue.

The basic shape. I tend to leave the doorways cut out and use blobs of greenstuff, some attached to the top and some to the bottom, to help secure the doorway. In reality, there is no real need to remove the door but doing so allows you to suggest depth.

Leave the model to dry over night. The Copydex will really harden up and you should have a pretty solid model by this stage which will allow for more rough work. To create the timbers the article suggests balsa wood, though I find that matchsticks are easier (and hardier) in this regard. Cutting them can be a challenge so invest in one of the matchstick cutting blades you can get from craft shops. Match sticks have been used for centuries for building models, they are cheap, come in different sizes and are very easy to source. You can follow the pattern on the article or develop your own, remember though, the wooden frame held the building up so your frame needs to look like its up for the job or the finished cottage will look rather odd. 

The match cutting blade is triangular and allows you to apply pressure directly down onto the the match, making cutting a doddle. I bought mine for a couple of quid (along with loads of other strangely shaped blades) at B&Q. 

Once you have the basic frame complete, its time to add the door. A piece of card will suffice, though I use a flat piece of balsa wood and just score in the details. The hinges and things are made from thin card (again taken from the cardboard cereal packet) but I would recommend that you use the coloured side. You see, the coloured side is much more smooth in its finish, perhaps to help hold the printed image, and when painted gives a much better result than using the 'grey' side. This is also true of the roof tiles. Use the decorated side and slowly build up the layers (starting from the bottom) ensuring that the first row, and the last tiles on each edge, overlap slightly. This will allow you to paint them more effectively later on. Use longer pieces on card on the very top of the roof. This will help tidy up the over all finish and will prevent imaginary rain from ruining the imaginary interior. 

Avoid the temptation to apply the bricks as if you were building a wall. Just blob them on randomly and slowly build up the detail. If sculpting is not your thing, you could always buy some of that patterned plasticard. 

I added further details by using green stuff to build up the brickwork on the chimney. This was achieved by making little balls of putty, sticking them on the foamboard and shaping them suitably. Don't forget to produce convincing corner stones for the edges of the chimney, where the brick work touches the wall, otherwise your wall will look a bit odd. Use plenty of water here, as the sticky putty can easily rip away the card backing of the foamboard making it very difficult for the putty to attach itself to your model. You may find it easier to wait for some of the brickwork to dry before going back and plugging the gaps as it gives you the option of attacking the fresh greenstuff to the old. 

The model is now pretty finished. As you will have no doubt noted, I added a side extension, built in exactly the same way as the rest of the house. 

Instant polyfilla is a brilliant way of quickly texturing the walls of the building. Just squirt the stuff out of the tub (or tub) and apply to the wall with a sculpting tool. I find that a downward motion with the flat end of the tool gets the best results. Don't worry if the polyfilla ends up creating little peaks or smears onto the wood. Once its dry, it is very easy to sand down or simple break off to create a neater finish. It goes without saying, but you need to leave the window panes free of texturing so the glass painting looks more realistic. Final details can be now added; flagstones by the doorway, sand and even a small round ball of greenstuff to mimic a doorknob. 

Right, that is all from me. If you need any further advice just comment and I'll get back to you. Otherwise, I hope this article inspires you to get out there an get building your own little cottages. The materials used are most likely lying around your house as you read, so a piece like this can be produced for little or now real cost. 

What are you waiting for?

Orlygg.

Old School Fantasy Cottage

Regular readers will know that I recently interviewed Phil Lewis about his time at GW and his contributions to photography, miniatures and beyond. You will also know that I am being treated from a dental abscess. I find that sitting for long periods, or bending over for any length of time, aggravates the infection and makes life uncomfortable so I have been able to do little Oldhammer stuff but write lately.

So I elected to work on something on a larger scale than normal that could be achieved when standing. I opted for the fantasy cottage Phil Lewis mentioned in his interview. Well, he didn't mention the actual cottage, he mentioned the series of articles he worked on and this reminded me of them.

It is a fond memory of mine the weekend I first used this plan to construct a fantasy cottage. Using various cast offs from my dad's model railway and some specially bought foamboard, I built a tiny little house and decorated it. That model is, of course, long, long gone but its memory inspired me to build another... Twenty five years later! So getting hold of WD130, I followed the article, added my own ideas and produced this, my first piece of Oldhammer scenery!

Timber frames are of course balsa wood, as is the door. The roof was made from cardboard taken from an empty cereal packet. as were the tiles. Door fitting made from the same card as the roof. Door knob a blob of Greenstuff. The building was based in my usual way. 

I had a go at sculpting the walls with Greenstuff. I used several ink washes to dry and make the brick work rather slimy and dank, just like a house would look if it resided in the Reikland of my imagination. 

I textured the walls with quick drying polyfila bought from Tescos. The roof was stained with ink splats and paint flicks. 

The timbering took a while to attach until I used Copydex. Never build a piece of scenery without the stuff, is my new modelling motto. Its excellent!

And here is the scale shot alongside the Muleskinner. I really enjoyed building this cottage and I have just started a second one. This time the building is going to have a lean to extension. 

What do you guys think?

Orlygg