Sprue(sing) up with the Skeleton Horde and is necromancy even possible?

Isn't thread necromancy seen as a faux pas in online communities? I've certainly seen my fair share of protestations over the years when some poor sap inadvertently comments on a long dead discussion and it would be true to say that I felt like such a fraud when I typed the first new sentences on this ancient blog. Would there even be anyone out there, save a few obscure grognards, even interested? To say I've been surprised by people's reaction is an understatement and I thank you all for the positive words you have made. 

It encourages someone to set out on the wonderful journey of '80s retrogaming once more. 

My other half's surprise is also worth noting and it is with her encouragement that I sit down to write today. She had a inkling that I was involved in something unfathomable (at least to her) from conversations I'd had with people in retro shops (don't kids love them?) and a chance meeting with a fellow wearing a Slaves to Darkness T-Shirt in an Essex town a few years back. "I love that Oldhammer stuff," I recall saying to this fellow leadhead before mentioning I used to write a little blog on the subject. We chatted for a minute or two and he went on his way. My little slice of heaven and I talked a little afterwards about what I used to get up and she said at the time that I should get back into it. I should have listened to her then really as the trail would have been fresher in regards to the whereabouts of my once mighty collection. 

With her being my most prized miniature, only 5 foot 1 she says, I feel I have a good bedrock upon which to start. But how to begin again? In 2011 I'd been painting 40k models for some years already, though steadily put off by White Dwarf's slow demise. The infamous 'Giant Issue' finally killed it for me and I started collecting the older stuff around 2004. Still, I had brushes, paints, a lamp, access to models etc etc that I don't have today. I had a fully functioning home as well... with the little we could put together when we bought this place it is ironic that our new home is trapped in the 1980s too, and not in a good way. The stairs must have been lashed together by goblins, the bathroom would put off a Nurgle Worshipper and the kitchen looks like an insane artist went schizo with Smelly Primer across the walls.

But we have hope, and happiness and a chance to start again. Something I am wholly grateful to her for and to you, dear readers... but where to start exactly?

Getting hold of issue 108 of White Dwarf may be a symbolic beginning as that issue began my love for the subject and introduced me the worlds about which I have spent so many hours writing about, let alone painting about. It's cover adorned with the enormous shape of John Blanche's titan from Adeptus Titanicus and the tiny, scurrying struggles of the Ultra Marines (when they were spelled as two separate words). 

But having thought about this over Christmas my mind keeps going back to Bob Naismith's classic Skeleton Horde and the link to my newly necromantic desires. Why this particular release you might ask? Well, it was certainly one of the first I ever had and I'm pretty sure my dad found it in some shop shortly after I read the above magazine. He showed me how to undercoat, drybrush and highlight using Humbrol paints, white spirit and an old rag. I think he painted most of them and did the shields too with wonderful leering faces just like those on the box. My attempts were beyond abysmal. My old collection contained a single early skeleton figure from this set which I repainted and added to my horde, sadly now lost. 

So I guess I'm saying that the Skeleton Horse represents new beginnings. 

It was a tribute to those early times and thankfully was photographed and uploaded to this blog. Its been wonderful rediscovering all the stuff I did back then and it is a shame I didn't have the foresight to photograph everything I completed. I'd love a record of what I achieved.

      

A while later Skeleton Army appeared and sent my friends and I insane with creativity. I loved the chariot and the archers but I was let loose with no skills and a lot of poly-cement (the stuff that used to melt the plastic and send up little whiffs of smoke as you glued it together) and a lot of white paint. My brush applied undercoat was so thick that most of the detail was obscured and I followed it up with a pigmentless wash over the top. In my impatience much of the undercoat wasn't even dry and the finished results were an abomination though probably, on reflection, good enough for listing on eBay and being pro-painted. 

I knew I could do better and I came back to these models time and time again and once owned several sets of untouched plastic Skeleton Hordes. If memory serves I painted at least 10 (figures, not boxes) of them up for a game in which they were promptly wiped out early on by Warlord Paul. 

The first step on any journey is sometimes the most challenging. Having glanced around eBay for a sniff of a Skeleton Horde sprue I found myself laughing at the wasteland that the site has become. Endless Buy-It-Nows for re-mortgage prices and sets of models that looked worse than my first, pathetic attempts. 

Is this the world you created for yourselves gamers?

Nevertheless, I will endeavour on getting my hands on a few plastic skellies in the near future, either an original sprue or some old unwanted things to restore. I can then get a few simple paints to get myself started and a couple of brushes. A lamp can be borrowed from work too. 

Googling the old Coat d'Arms paints (which were very similar to the old school GW ones) I can see they are still sold by Essex Miniatures?Black Hat etc so it should be possible to get a black, white, bone and a brown colour to get started. Old citadel shields will be more difficult but I might be lucky enough to find some unwanted models with them still attached. 

If you can think of any other websites or resources that would be of help then you have my appreciation and thanks.

See you soon, 

Orlygg

The Road to Warhammer... and beyond...

You may have wondered what happened to this blogger. Did I vanish after a period of jaded frustration, disappearing like a whiff of magical smoke? Was I seriously ill once more? Did the little, blue things that jabber in the darkness of the twilight hours finally consume me?

None of those things. 

The cause was simple and of the material realm... divorce and the financial desolation that inevitably follows. Home gone, belongings lost and the lead pile scattered. One day during lockdown I had a family and the next, I didn't. 

The years that followed involved moving from one temporary home to the next. Then, just over twelve months  ago we were able to buy a little rundown bungalow in the depths of Essex. And by 'the depths' I really do mean that. Its a tiny English village with a cricket pitch, a pub, a village hall and a huge village green. That's it... though a very large pond spreads beyond my front garden where herons and deer drink in the misty mornings, the very bank dropping from the edge of my lawn. 

I share this home with a nice new 'non-lead loving' lady and our offspring - who rotate around as families of this type do. 

All my logins for Facebook, Blogger etc were stored on what was the family computer and it took time to get the machine back in my possession but it was old then and I had difficulty getting it running again. It sat under a desk for years with me occasionally glancing at it and reminding myself to fix that damn thing, even if it was to just get the photographs from my children's early days back. 

Providence struck recently at work where during training the security system was updated. We ended up locked out of our computers and iPads and the technician who arrived to disentangle the wires and unpick the technological scramble sat in my room pontificating. As he worked he showed me how to retrieve passwords as an aside, and I stored that little nugget for future use. 

School ended with carols on the playground but a sickness bug at home. I found myself at last adrift in a house full of poorlies isolated to the spare room. Suddenly, the urge to set up the old computer raised its groggy head and with trepidation I put the thing back together again... many hours later I managed to retrieve my account details and port them over to my new computer. I thought to clear my profiles as my new partner and I had a very serious 'no social media' agreement out of necessity but with the passing of time and the defeat of those to set out to make our new chance in life as difficult as possible, I decided to retain them, at least for a while. 

Fiddling around on Facebook trying to clear out my old life, I saw a link posted by old GW staffer Graeme Davis about an Oldhammer Youtuber. This caught my interest as when this blog was started over twelve years ago Youtube and Facebook were very different entities. I was astonished at what I saw... hours of carefully put together Oldhammer content and a mention of this very, long dead I might point out, blog....

The Youtuber is called Jordan Sorcery  and the post he put out was called 'The best Oldhammer resources online' 

I was amazed that anyone would still be looking at my old ramblings let alone recommend them to others but they very much are, and some of you were kind enough to inquire about where I was and what I was doing.

So here I am. A week ago I planned to wipe this blog and disappear into the unknown. But it seems that on a whim my plans will have to change. And I'm going to have to do something about four years of spam on my previous post. 

Enough of the lamentations of days past and celebrations of those enthusiasts that came after me.  This blog was never meant as a personal diary listing life's many woes and should quite rightfully concern itself with it's raison d'existence: Old School Warhammer. 

But why this particular hobby? And why this particular era in question? How did a quiet school boy who ate alphabeti spaghetti on toast and watched Wack-a-Day during the holidays become such an fan of fantastical little lead men and the designers who created them? And why did he end up writing a blog for many years, inspiring so many others, meeting his heroes and painting up more miniatures than he could count?

What not football, like so many of my contemporaries? 

Or motorcars?

What on earth drove my to amass such a varied collection of memorabilia over twenty years or more?

Having pondered this question this morning, I think I have already answered my own question. It was a journey of influences big and small and the culture of 1980s Britain that instilled in me this fascination, perhaps former obsession, with a particular range of tiny little men. I suspect that you all have similar journeys, though unique in their twists and turns. 

I'm calling this my 'Road to Warhammer' and curiously enough this list and the idea for this blog post has lain undisturbed since I left it here unpublished in 2017. Of course, I have totally rewritten it for the present for this is a very different era than the one that saw this blog first published. There was very little online about this era in 2012 save The Stuff Of Legends and the Citadel Collecting Group. Now, you guys are swamped. 

Anyway, Back to my 'Road to Warhammer'. What influences lead me to picking up that copy of WD all those years back and falling in love with the imagery and ethos of that time? Well we have a curious collection of TV shows, films, computer games and even breakfast cereals!!? 

The Road to Warhammer 

Lets get going down that road shall we?

He-Man

The first stop along our road has to be He-Man. I don't think its the little lead men that fascinate me as much as that '80s aesthetic, no doubt tinged with nostalgic memories of the comfort of childhood. A time when men were men, and women women and they both wore leather and fur swimming attire as they did battle with the evil forces of the rival toy line. 

He-Man is probably the start of my fantasy loving story that ends with Warhammer (as shown in its 3rd edition) and the late Bryan Ansell's vision for his Citadel Miniatures. I had many of the early figures and have plenty of happy memories of playing with them and of course watching the TV-Show. Here the archetype of the musclebound hero made popular by a strange concoction of Robert E Howard and Arnie in the early '80s classic Conan the Barbarian. It would be many years after, when I was at university, that is discovered this connection of course but to my '80s self He-Man was as wonderful and as original as anything else. 

The heroic proportions are all there, the bright colours, the single poses the simple but striking designs and of course the fantastical landscape in which they resided. It being an American show, the struggle between good vs evil is very evident and not in anyway subversive, as it was in the UK at the time. 

Robin of Sherwood

Richard Carpenter's gritty take on the story is tinged with fantasy and dark peril. Here the roles of good and evil are not so clearly defined (Ray Winstone's Will Scarlett in particular) and the outfits are more realistic than the tripe that is served for the so called 'modern audience' - whoever they might be.... many of the wood elves from the earlier '80s have a very Robin of Sherwood vibe to them, at least in my eyes and this classic slice of British TV was another stepping stone towards getting into Warhammer. 

As I said with He-Man, there is a vibe to fantasy in the '80s that I just love. You can see it in the episodes of Robin of Sherwood and you can see it here with Skarloc minus his elf rangers. Its a vibe I find hard to define at the moment but hosiery (the medieval kind) and fur fashioned swimming trunks seem to be very much it, along with a kind of fantastical realism I suppose - no improbably big weapons in oversized hands yet.

Dungeons and Dragons TV Cartoon 

Can't really not mention this classic from the '80s. Its all there you know, the bright colours, the simple yet defining character designs and the fantastically realistic look of the costumes and equipment. Also, could it be argued that Venger's wings make him the first bloodthirster of Khorne!?

Have you been moonlighting again Venger, really!? And put down that whip you'll have someone's horn off!

Krull

One of the earliest fantasy type films I can remember seeing vividly is Krull. It was on one Sunday afternoon when my Dad was looking after my sister and I, my mother was probably asleep upstairs as she was a nurse who worked nights back then. I've never seen it since if truth be told and I'm rather glad that I didn't as to the modern eye it doesn't seem well appreciated today.

I of course loved the strange star shaped weapon wielded by the hero of the film... it was called the Glaive ( a name that no doubt inspired the vengeful thargoid ships in Elite Dangerous in recent years) and is certainly an unique '80s weapon. I can't think of any minis from the Citadel line sporting one but I wouldn't be surprised to find one if we all looked hard enough.

Labyrinth

What do you think about when someone mentions the name of this '80s classic? David Bowie's tights (more hosiery!!?), the bizarre musical numbers, the bit when Hoggle urinates visibly and we all laughed? For me its those goblins... or what I feel a goblin should look like, complete with dubious British accent, spindly legs and medieval accruements. They need to be sneaky, gangly, brown or green and rather naff at anything but squabbling to be a real goblin... oh how I miss the '80s take on the little green villains of yesteryear. 

Of course, Kev Adams would dominate GW for years with his take on what a goblin should look like and I loved the creatures so well that my daughter, when she was small, was nicknamed the goblin by me... I used to tell her she would turn green if she was too naughty... ha ha!

This film no doubt set me on the steps to loving small little amusing creatures... you can nver have too many goblins. The 'Road to Warhammer' goes ever on, Mr Baggins. 

The Never Ending Story

The bit when the horse dies.... sniff sniff.... traumatised us all back then and probably still does if we watched it today. Though, looking back its the wonderful monsters that catch my eye. they seem so characterful and solid... unlike today's ephemeral CGI creations. Each one as unique as the other, very much like the myriad of monsters you were confronted with in the bestiary of the 3rd Edition rulebook. 

I think creating monsters and creatures using computer software is a 'job' today. The highly skilled movie people who produce the beasts for the Marvel superheroes to battle are all exceptionally talented but they NOT passionate about it... its something that pays the mortgage. Back in the '80s, the people designing and building this creatures did it as it was a passion, a least to my eye, and passion was certainly evident across all of the GW lines in the 1980s. 

Ah, the time before HR and the corporate voice... lament dear enthusiast!

Willow

The final film on my list is Willow. Released in 1988 and very much in my minds eye when I first caught site of White Dwarf 107 in the newsagent in Wareham. I loved this film and I can remember collecting the scenery and figures released in breakfast cereal at the time. I'm pretty sure it was spring or summer and I played with these to death...

Here's the ad from the back of a box of Corn Flakes circa 1988.

The art style is there... fantastic but grounded in a kind of reality. These simple figure and character scenes stay in my mind as clear and they were 37 years ago and were certainly a forerunner of my later love for Citadel. I'm pretty sure these really caught on at my school too and these were traded on the playground for some weeks. I bet some fan of these old cereal toys is typing a blog somewhere in the world as I type or slaving away, a prisoner to the algorithm, on social media somewhere, no doubt drenched in ads.

Is it me, or is there some hosiery present again? 

The medieval kind, obviously. Clearly an important factor along my road.

M.U.S.C.L.E.S

I can't think of any other toy that set me on the path to collecting miniatures than these M.U.S.C.L.E.S. They were supposed to be wrestlers but back in the mid '80s I didn't know what a wrestler was... these were just pink little men who duffed each other up and came in attractive 10 packs,as can be seen here.

I had loads of these and there seemed to be a never ending supply of imaginative designs for me to pour over. I used to play with these in a neighbouring child's sandpit and we'd build huge castles and trench lines for they to fight over, only to see them all buried in the battle. We'd carefully excavate them afterwards in a bizarre form of archaeology which would later take me to university to do much the same, not with Citadel miniatures then though sadly. 

Hang on, don't wrestler's wear tights?

Fighting Fantasy

What can I say about the influence on Fighting Fantasy on me? Blog post after blog post could be lavished on that as I had loads of the books back then and they were probably the first proper exposure to the black and white scrawly '80s artstyle that I love so much. Out of the Pit was a fantastic book and one I didn't actually own. There was a copy in my middle school library and I used to lord over it imagining all of the wonderous creatures that were contained within. 

This book was the first glance I had at what later became known to me as bestiaries. Books of beasts that described the horrors that awaited in dark places and a taste of the creativity and passion that the creators of these things seemed to have in spades back then. Pretty sure that the striking image of this cover-art lead me towards the joys of Chaos in Warhammer and the naming of this very blog. 

By the way, is that Venger again up the back? Those wings get everywhere!

Knightmare 

This one is massive... Knightmare was fantasy before I knew what fantasy meant. The unique '80s gameshow were kids were sent to their deaths beneath the grinning image of a disturbing computer generated skull. I must have watched the very early seasons when the show was very much dungeon bound. I can remember overlaid spiders, rubberfaced walls that spoke in riddles and the inevitable deaths of the players by crumbling ledges, swinging axes and trapdoors...

Yet the art style follows what I love and that matt painting could just have easily been the backdrop for a flyer from a Citadel advert circa 1987. Tregard's face could have easily fitted in with the other grainier visages you could see at the bottom of the contents pages in White Dwarf in the latter '80s. 

Now that you mention it, wasn't this also John Blanche's look back then? Bryan Ansell told me a story once that John was the first man in England to have a company motorcycle over a car... that said he did have an amused twinkle in his eye when he told me that so take it as you will. 

C64

I loved the c64 so much. Before I knew about Warhammer I played on this machine to death, and after the company sold and the flavour of product changed I went back to it. I remember cancelling my White Dwarf subscription in March 1991 and ordering ZZap64 again.. and by subscribing, I mean asking the fag stained newsagent at the end of my road to order it instead.

He had a finger missing... the stuff you remember when writing at length. He also wore similar jumpers to Phil Collins at the time.

Still, this little computer opened my eyes to fantasy gaming even though for much of it I had NO IDEA what was going on in any of the games. I hardly ever read the instructions and many games were baffling to me, but nonetheless I loved them all. In fact, I loved the system so much I bought one of the modern Retro Games Ltd versions a few years back. 

Just got the Speccy version too. 

Can't wait to run Heroquest again.

Barbarian 

Perhaps this one game is why I love the classic barbarian fantasy look from the '80s so much. The fur clad undergarments, the R.E.H bulging thews and of course the brutality of unfiltered fantasy in an age before offence. 

Imagine a 8 year old of today unwrapping this classic... the cover adorned with a page 3 model and the man who would shortly be Wolf from Gladiators on the cover. And yes Nana, you can cut their heads off!

Hmmmm, that backdrop would look great as a low-fi image to frame any future miniatures I might paint, if I can find any of them again. 

At least I have the pictures on here to remind me of the glory days. Ahh, nostalgia for nostalgia! 

Ultima V: The Warriors of Destiny

This came with the c64 but I had no idea how to play it. I just liked exploring the world in much the same way that the WFRP supplements allowed me to traverse the Old World. Strangely enough, in the first lockdown I managed to get this working on an old laptop and nearly completed it before the day of judgement came and I had to leave everything behind. Perhaps I should go back one day?

And Beyond...?

And so ends my strange rambling list of things I loved that turned me into the sort of young person who would want to buy a copy of White Dwarf in November/December time 1988 and begin the whole journey that would see me creating this blog, being part of the Oldhammer movement and finally playing 3rd edition properly with likeminded folk.

And to think those of us who were there in the beginning thought we might get up to 10 people interested in the idea!!

Strangely enough, its not the end of the story. Because my Road to Warhammer continued over the last few years too. After finding somewhere to live in the second lockdown I was able to take with me a gaming PC. I had always wanted one and picked one up in August of 2020 weeks before judgement day. My love of old school fantasy seemed to follow me with it and a number of Warhammery things caught my attention. 

For a long while it was just me and that computer.

I feel that they have many of the things in common that I have waffled on about in this long blog post.

1) A realistic world that is fantastical but based on a gritty reality.

2) Plausible weapons and armour - not to mention a good deal of historical hosiery.

3) Imaginative monster designs - with a copious bestiary, sadly seldom presented with stats though. 

4) A touch of the subversive - zany irrelevance please

5) Made with passion - sadly lacking in today's tickbox 'creative' meetings.

Witcher games

I've played through all of these... save the DLC from the 3rd game. Shades of the Old World hang everywhere here and the world of perilous adventure promised by Warhammer 3rd edition and its sister game WFRP is very evident here. 

There are even a few German sounding names to riff off too not to mention the common theme of hosiery clad guards and one of two ladies... Oh Yennifer and your undergarments... sigh.

Skald Against the Black Priory 

I played through this earlier in the year. Its on Steam but has '80s inspired c64 graphics and a deep Lovecraftian tone. Lovecraft's writings of cosmic horror is very much part of the Warhammer setting in the warp, at least for me. This game is well worth a play if you had read this through and have found yourself agreeing with or remembering much of my journey. 

It also takes a fair bit of design philosophy from the Ultima games so that is a big YES YES for old Orlygg. I'm hoping for a sequel. 

Baldur's Gate 3

Warhammer 40,000 Rogue Trader 

These two games are what I am currently playing., The world building, depth and intricacies of CRPGs are the closest thing to old school Warhammer that I have today. Baldur's Gate was a joy, especially the character creation. That's something I loved about WFRP. I never got to play much but made up no small amount of wonderful characters. 

Warhammer 40,000 Rogue Trader is fantastic too, if more in the vein of 'modern' 40k. Getting to walk about and explore the world of 40k on your own terms is rather wonderful and Owlcat have put a lot of passion into the project.

I must admit to having read half way through the Horus Heresy novels over the last few years too... do they count as Oldhammer now?

Joke...

But what of my Oldhammer stuff? 

I mean, looking back I have been on this wonderful journey for nearly 40 years. Somewhere out there are my painted figures, my boxes of books and magazines and my enormous lead pile.

But where? And even if I did get my hands on them again could I still paint a figure to the same standard I could all those years ago?

Would it be possible to go from nothing again to field a fantasy army once more on beautiful scenery with those who share the spectacle and passion of days long past.

What about the wonderful souls I met on my journey? I hope they are well and prosper somewhere. Paul, Steve and Steve, Stuart, Chico, Garth, Geoff and all the others. Great grognards all..

Guess we are going to have to find out...

Orlygg

PS: I am not a robot

Gladiator Ogre and Jack o' Lantern Familiar

I had a rather productive day today. Managed to make headway with the enormous amount of school work I had to get through and I got two miniatures finished off it my sunny back garden. The gladiator ogre and the Jack o' Lantern familiar, both I believe by Jes Goodwin. 

Wanting to try something different with the ogre's skin I opted to use yellow in my standard flesh mix. I was hoping to achieve a sallow looking skin as a result but I am not too sure if I have been successful. I also used a far darker base colour to create the shading than I would normally use. The jury is out! 

I am very pleased with the metallics though, especially the bronze pauldron. I have a hankering to tinker with this recipe for golden metal again soon, if I can find a suitable figure to try it out on. It was simple to achieve. Bronze basecoat with a brown wash, highlighted with a bright gold. As simple as that! For the chainmail I used a variety of techniques, mostly drybrushing and a little edge highlighting with a bright silver. I added depth here and there with a little black ink too. The result is pleasing as silver armour is an area I am keen to improve. 

I even went as far to add toenails and a couple of nasty spots to the figure to help add character. The mohawk was great fun to paint and as you can see I went for a odious '80s green.  

The black leather was really easy to achieve too. I just painted the strips black, painted over the top with grey and then used a finer brush to paint a thin black line through the centre. Quickest piece of highlighting I think I've ever done. The eyes, lip and scar were created through purple and red washes followed by a final bleach bone highlight of the features. Pure white was used to pick out his two protruding teeth. 

A very nice model this one, though a little bit more primatively sculpted than the other ogres in the range I have painted so far. 

This was today's second completed model. He was great fun too and I tried to contrast the orange of his pumpkin with the tatty earthy colours of his ragged clothes. I highlighted the whole model from the pumpkin down in bleached bone to give him a slightly weathered look. This familiar is after all supposed to represent a scarecrow brought to magical life. I toyed with painting magical lights in his eyes but in the end I thought the black contrasted better and added more depth. 

He feels more akin to the Night Horrors range to me though, than the other familiars... but he's finished.

Famous Familiars: Mannequin

Been laid low recently with a tooth infection. It seems with the pandemic the only solution to serious toothache is to nuke it from orbit with megaton antibiotics and painkillers. Still, it was the cheapest private consultation I've ever had costing me precisely nothing save my time. More money for miniatures I guess...

I was feeling better this afternoon so decided to continue my famous familar project with this little chap. The Mannequin. Not the best photograph I know, but at least he is finished. I tried to capture a feel of woodgrain paintig him up and I am not sure I was successful. What do you think, dear readers?

The club also proved a problem as it ended up looking too similar to the body of the model. In the end I mixed red in with brown and highlighted the weapon up as normal. I added a tiny bit of blue verdigris on the bronze studs but it hasn't come out too clear here. 

Still, he was fun to paint after a while away. I'll see if I can take some better snaps when I finish the next batch of familiars that I have started. Each is a joy to work with. So full of character and imagination. I discovered today that GW have produced a set for the 21st century. Not a patch on these metal original in my opinion but each to their own. 

Orlygg

McDeath!

Hello again, 

I have completed my week in school and look forwards to some Oldhammer time in the coming days. Obviously, I plan to continue my familiar and ogre projects with immediate effect but there is a third, long standing challenge that still lies uncompleted. That of McDeath. I was in conversation last week with some other affectionados of this Shakesperian themed scenario, and was inspired to try and take a snap shot of my painted collection of McDeath miniatures. 

And here is the result of that, though I forgot to include Juggo. Rummaging around in the collection I have found the mounted versions of the two knights and they have been placed in the painting queue. It would be really something to complete this project again and hopefully get some of the scenarios played in some form after the pandemic. 

Until next time, stay safe. 

Orlygg

C23 Jes Goodwin Ogre: Marauder/Bandit

I took a bit of a break from tiny familiars over the last few days to work on this classic model. Yes, one of the iconic Jes Goodwin ogres that everyone knows and loves. I am sure that you will agree that these are some of the finest models of the 1980s and like the familiars, there is a huge range of character and detail in each figure. In fact, anyone with even a passing interest of old school Citadel models should have a couple of these in their collection. 

I am lucky enough to have ten.

Looking back at the lead mountain, I have really squandered these models. They have sat in my draw for many, many years and I really should have doen them the service they deserve a paint them up to make a unit. So alongside the tiny tiny familiars I am going to knock out a couple of these models a week (hopefully) to help preserve my sanity of dealing with the uber fiddly detail on the familiars. 

He was a real pleasure to paint if truth be told. The skin was easy to highlight and his character just oozed out as I worked. Drybrushing brought out the furs and his hair and the rest was simply a case of basecoat, highlight and extreme highlight. There are still a couple of things to work on here... but they can wait. 

I am just about to depart back to school. So I won't have any further time to work on anything for the next week or so. I help look after key worker children and have to do my week before retreating back into self-isolation again. But I will be back.... stay safe in the meantime everybody. 

Orlygg

Famous Familiars: Daemonet, Armoured Mite and the Creeping Claw

Another day in lockdown... another three familiars painted up in the sunshine. I feel a bit headachey now (is that a word?) as I was so enthralled with these figures I forgot to drink enough. Ha! So I am enjoying an apple squash as I type. 

Daemonet was completed first. I had previously painted him up in red but wasn't happy with the result at all. I couldn't capture the character of the face well enough. In frustration I covered him in a purple wash and left him for a few days. Picking him up this morning, I stuck with the purple theme and just went with it. Picking out the detail on the face with pink highlights. The eyes were basecoated in yellow, washed in orange ink and then highlighted back up to yellow again. The hands and feet mirrored the same colour mx as the face. Again on a whim, I used a nice blue (mixed with a tiny bit of the purple basecoat) to drybrush on the fur. I used a second coat of drybrushing, added a little sky blue to the recipe. Bleached bone picked out the horns and he was done. 

The Armoured Mite was a bit of a triumph for me. Long time readers will know I struggle with metal armour. I bought a fine sliver paint and put it to good use here for the final highlight. He was pretty straightforwards as most of the depth on this model was created with black and blue ink washes. I then drybrushed a dark silver back over the model before picking out the edge highlights with the bright silver. I feel a little more confident about painting armour now and will need to work on this technique soon. 

The Creeping Claw familiar ended up pivoted on the base. I know a lot of people place it flat but I decided to use the tiny slotta this figure has to suggest that the hand is rearing up. I used a flesh colour mixed with green to suggest decay and built up the highlights by adding additional layers of flesh and bleached bone. I used brown and orange ink washes to suggest filthy brown nails. The gold ring was painted using my usual method for gold. Dark gold basecoat, chestnut ink and highlights using a lighter gold. I tried not to use any silver in the highlight for a rich tone that contrasts well with the pale flesh. I dribbled a little red ink around the stump to suggest oozing horror. Hope you like it. 

I switched cameras back to my old phone. I think it takes a better picture in natural light. So I reshot the previous familars on their own. Here is the Beastling again.

A less blurry shot of the Ironclad Imp. I am glad I didn't add additional highlights now, as the blue looks rich and magical here. 

The Toad (also known as Wart) needs a little work on the feet I think. But this is a better photograph of him. 

Skeletal Minion looks more in focus too, and that candle looks great when photographed. I am glad I took the trouble to repaint it in red to add some variation to the colour scheme. 

Finally, the Daemonette. I am wondering if I should go back and try and add eyes. But these models are extremely small and my eyesight is not what it was! 

Hope you like what you see. 

Orlygg