To follow up on my last post concerning ancient gems from very old WDs, here are a series of 'Eavy Metal articles from the ancient archives of 1986. GW was pre-Warhammer third edition and Rogue Trader at this point, so old school fantasy dominated the magazine and the subsequent miniatures pages.
Many of your will know that Citadel employed the first 'in house miniature painter' in this same year. This was the young and ambitious Colin Dixon (who would later re-emerge as a sculptor in his own right) and for a while, he was the single official GW figure painter.
As we have learnt from Craig, Priestley and Ansell, the design studio was a very creative place to work. Subsequently many of the sculptors were also painters. So Colin was not alone in the world of acrylic paint, for Kevin Adams and Aly Morrison from the sculpting team were also on hand to provide painted models. Phil Lewis, early GW lensman and miniatures supervisor, was also a dab hand with a paint brush.
It seems that there was a decision to focus on the work of these individual studio painters in the mid 80s, and these articles are the product of that. What you are about to see is an astonishing collection of painted models, backed up with detailed, articulate writing which treats the reader with respect. Quite a few people have emailed me to ask how to paint by models retro style, and I plan to do a few stage by stages at some point in the future.
These articles were my starting point, so I'll share them with you here if you want to look beyond the gorgeous lead and into 80s techniques.
Colin explains how... |
Now we have an article by Kevin Adams. Not only was he a creative and individualistic sculptor but he was also a painter of no mean merit. He was also known as a bit of an ace converter, back when being an ace convert was bloody hard because metal is a real challenge to cut and prepare. Like Dixon and Blanche, Adams was an advocate of the fantastic painted shield design. His horrible goblinoid faces are truly hideous - in a hideously good way of course. Additionally, Kevin also made wonderful use of natural materials and sculpted green stuff to produce wild and imaginative vegetation for his bases.
He was named 'Goblin Master' for a reason. His 80s goblins (and their paint jobs) redefined these cheeky critters. |
More beautiful modelling and paint work from Kevin. Inspirational. |
Kevin explains how too.... |
More from Phil; brilliant ogres, chaos sorcerers and Judge Dread models. |
Brilliant painting from Aly here. Just look at that white fleshed troll! Skrag the Slaughterer was clearly a very popular model among painters during the mid 80s. |
How Aly does it... |
Any comments?
Orlygg.
Truly inspirational indeed! I'm enjoying these articles beyond I can easily explain, thank you!
ReplyDeletewould be beyond awesome if interviews could be done with these guys again. and revisiting their painting techniques. I'd have tons of questions to ask these people. I really enjoyed the eavy metal artricles and techniques explained but I always wanted to know more. I really would love to see more techniques explained by Colin Dixon for example.
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